A few examples of appraisal values for
EDWARD MILLER

• PAIRPOINT STYLE PUFFY SHADE EDWARD MILLER
  PAIRPOINT STYLE PUFFY SHADE EDWARD MILLER LAMPEdward Miller art nouveau style brass lamp base, with a Pairpoint style glass shade with poppies. Lamp base signed E.M. & Co., shade unsigned. 19"H, shade 10"-diameter. Fitting for shade loose on lamp base, roughness and minor chips around rim of shade. Provenance: From the Estate of Angela Gross Folk.
• AN EDWARD MILLER STYLE BRASS DOUBLE
  AN EDWARD MILLER STYLE BRASS DOUBLE STUDENT LAMP (2) Early 20th Century With central draught burner and double student lamp, each with green glass shades, fitted for electricity, 65 cm high; Together with a chrome-plated samovar shaped table lamp, 57cm high to the top of the fitment
• "GONE WITH THE WIND" RED SATIN GLASS
  "GONE WITH THE WIND" RED SATIN GLASS LAMPA "Gone with the Wind" style oil lamp, "New Vestal" by Edward Miller & Co., circa 1900. Ruby red satin glass, grape cluster pattern. Aladdin clear glass chimney. Measures approximately 26 1/2" x 10 1/2". Condition The lamp is prepared for electrification, with a socket inside but incomplete wiring. The top globe has a crack with repair at the base.
• EDWARD MILLER & CO. BRASS STUDENT LAMP.Edward
  EDWARD MILLER & CO. BRASS STUDENT LAMP.Edward Miller & Co. Brass Single Arm Student Lamp. Nice Green Spider web overlay shade. Burner and wick adjuster marked "E.M. & Co.". Measures 24" high, but is adjustable. Good with minor wear and some dents, has not been electrified. Condition: Good with minor wear and some dents, has not been electrified.
• TWO SMALL LIGHTING DEVICES.Two Small
  TWO SMALL LIGHTING DEVICES.Two Small Lighting Devices. 1st: "ACME Reflector Night Lamp" by Edward Miller & Co., 7-3/4"h. 2nd: Colorless Flint Glass Loop Pattern Pedestal Lamp with single wick burner. 7"h. Acme lamp is good but has a cracked hurricane shade, pedestal lamp is good with minor roughness on base. Condition: Acme lamp is good but has a cracked hurricane shade, pedestal lamp is good with minor roughness on base.
• EDWARD MILLER & CO. 6-PANEL SLAG GLASS
  EDWARD MILLER & CO. 6-PANEL SLAG GLASS LAMP: Surmounting glass sphere finial over a 6 panel bent caramel stained glass shade with a foliate & scrolling design. Resting on a foliate & ribbed 2 light metal base. Approx. 18.5'' h x 21.5'' w. CONDITION: Wear consistent with age and use.
• RICHARD EDWARD MILLER, (AMERICAN, 1875-1943),
  RICHARD EDWARD MILLER, (AMERICAN, 1875-1943), BLACK MANTILLA, OIL ON CANVAS, 36 1/4 X 34 1/4 IN., FRAME: 45 X 43 IN.RICHARD EDWARD MILLER, (American, 1875-1943) Black Mantilla, oil on canvas signed Miller lower right oil on canvas Dimensions: 36 1/4 x 34 1/4 in., frame: 45 x 43 in Provenance: Grand Central Art Galleries, New York (label verso); Christie's New York: May 26, 1988, Lot 262; Sam and Marion Lawrence, Orlando Florida; acquired from the above by the present owner. Exhibitions: Museum of Fine Arts, St. Petersburg, Florida, In the American Spirit: Realism and Impressionism from the Lawrence Collection, 1999, cat. no. 27, pp. 30, 58, 84, illustrated (label verso). Condition: Lined. A few minor spots of inpainting visible under UV. Presents very well. Please note: All property is sold "AS IS" and any statement, whether oral or written, is given as a courtesy and shall not be deemed as a guarantee, warranty, or representation of the authenticity of authorship, physical condition, size, quality, rarity, importance, provenance, exhibitions, literature or historical relevance of the property or otherwise. The absence of a condition report does not imply the item is in perfect condition.
• (2) AMERICAN EDWARD MILLER CHROMED CARRIAGE
  (2) AMERICAN EDWARD MILLER CHROMED CARRIAGE LAMPS(pair) American carriage/ coach lanterns, Edward Miller & Co., black and chromed metal frame, housing kerosene lamp, fitted with colorless glazed oval front, beveled glass side panel, hinged rear door having round red window, ending in articulated mounting arm, approx 11.5"h, 7.5"w, 8"d; 4lbs total
• EDWARD MILLER & CO. SLAG GLASS TABLE
  EDWARD MILLER & CO. SLAG GLASS TABLE LAMPpatinated metal and slag glass shade with a gilt metal base, base signed EM & Co. to underside; shade unsigned shade: 18 1/2 inches diameter; 7 inches high; 21 total inches high Condition:
• HAMPSHIRE POTTERY ARTS & CRAFTS LAMP
  HAMPSHIRE POTTERY ARTS & CRAFTS LAMP BASE Hampshire Pottery (American 1871-1923), Arts & Crafts lamp base, late 19th to early 20th century, having a green glaze with incised water lily design, together with an Edward Miller Co. (American 1844-1924), electrified brass kerosene oil lamp insert and shade support, the lamp base and insert both marked. Approximate dimensions: to socket h. 11", dia. 9. 5".
• A VICTORIAN KEROSENE TABLE LAMPA VICTORIAN
  A VICTORIAN KEROSENE TABLE LAMPA VICTORIAN KEROSENE TABLE LAMP: metal lamp base #934 by Edward Miller & Co. (1844-1924), Meriden, Conn., late 19th century, with brass kerosene lamp insert by Bradley & Hubbard, fitted with a ruby glass globe shade. Height - 20.5 inches.
• HEXAGONAL FILIGREE CARAMEL SLAG GLASS
  HEXAGONAL FILIGREE CARAMEL SLAG GLASS LAMP: Edward Miller & Co. (1844/1924) lamp with bent glass 6-panel shade within a pierced metal frame having two sockets & ball chain pulls. On a brass central column atop a copper finish base. The floral & foliate motif base is marked ''EM & Co 1083'' underneath. Approx. 21'' h x 15'' w. CONDITION: Age-appropriate patina.
• RICHARD EDWARD MILLER (AMERICAN, 1875
  RICHARD EDWARD MILLER (AMERICAN, 1875 - 1943) 28 ½" x 36" "In the Garden." Oil on canvas, signed lower right, in decorative frame, overall 33 ½" x 41". Remnants of Worcester Art Museum label, Cleveland Museum of Art label and an unidentified label verso. "Macbeth Gallery New York" stamped on the top stretched bar. A letter of authenticity from Marie Louise Kane discusses the painting. "Although I have never seen the painting titled In the Garden (oil on canvas, 28.5 x 36 inches) signed Miller (lower right) and offered at Aspire Auctions February 12-18, 2021, I am of the firm opinion that it is by the American artist Richard Edward Miller (1875-1943). The model in the painting appears in other works of the period by Miller, most notably the seated figure under the parasol in Afternoon Tea, 1910 (Indianapolis Museum of Art). I would date In the Garden to the same period, 1910-1911, and place it in the same locale, a garden in Giverny, France. By 1910 Miller, who arrived in France in 1899 to further his art studies, had already spent several summers in Giverny, joining a small community of American artists, many of whom were pulled there by Monet's presence. Miller's work, which until this time was characterized by a darker palette, begin to brighten noticeably. He placed his models outdoors, in gardens, or in sunrooms opening into gardens, and played with the effects of sunlight – on flesh, on fabric, on foliage. As in other Giverny paintings by Miller, the model is wearing an off-the-shoulder dress with a full, white, tiered skirt, a flowing shawl, and a coral necklace. In the Garden has all of the desirable characteristics of Miller's peak impressionist, French-period painting: a comely model elegantly dressed ; a garden-in-full-bloom setting; a colorful palette; the play of light and shadow; and lively, virtuosic brushwork. In it he achieved the highly pleasing decorative effect which fulfills his dictum that “Art's mission is not literary, the telling of a story, but decorative, the conveying of a pleasant optical sensation.” I believe this painting was exhibited at the Macbeth Gallery in New York City, which held an exhibition of Miller's paintings April 1-20, 1912. A small pamphlet printed by the gallery lists the work as: No. 3 In the Garden. (The works are not illustrated.) Afternoon Tea, mentioned above, was also in that exhibition. From the Macbeth Gallery the painting went to the Worcester Art Museum, which had requested it, along with In the Arbor, for their 1912 Summer Exhibition. The painting was entered in the Worcester museum's registrar's file, but it seems not to have been included in the exhibition, as it is not listed in the exhibition catalogue. Correspondence between the museum and the Macbeth Gallery reveals that the museum director, Philip J. Gentner, felt he would have difficulty including all of the numerous paintings he had requested for the exhibition, and so it seems likely that he chose to exhibit only one painting by Miller – In the Arbor (illustrated in the catalogue). In the Garden was purchased from the Macbeth Gallery (just before it was packed up to go to Worcester) by Ralph T. King, Esq. This would no doubt have been Ralph Thrall King (1855-1926), a prominent Cleveland, OH businessman and civic leader. Years later the painting was exhibited at the Cleveland Museum of Art in “American Paintings Owned in Cleveland,” July 3 – September 13, 1920. It appears in an installation photo in the museum's archives.
• SEVRES STYLE PORCELAIN LAMP AND BOUILLOTTE
  SEVRES STYLE PORCELAIN LAMP AND BOUILLOTTE LAMPTwo lamps, an Edward Miller and Co. porcelain lamp with painted Rococo pastoral scene, and a brass bouillotte lamp with green and black painted tole shade. American and French, Early 20th Century. Both lamps have been tested and work. "E.M. Duplex and Co." marked on kerosene knobs of porcelain lamp, signed "G. Poiterin" in image. Underside of bouillotte lamp marked "Made in France". Wear and losses to tole shade, wear and white blemishes throughout lamp. Wear to base and small losses to gilt and paint on Edward Miller lamp. Bouillotte lamp: 25" H x 13" diameter of shade Edward Miller lamp: 23" H
• Edward Miller brass Prairie floor lamp
  Edward Miller brass Prairie floor lamp with duplex burners and jeweled slag glass globe and paw feet. 66"h x 11.5"w x 11.5"d / globe: 12"dia Condition: Good.
• Edward Miller brass double-arm student
  Edward Miller brass double-arm student lamp ca. 1890 21" h. ?
• Antique ''The New Juno'' oil burning
  Antique ''The New Juno'' oil burning table lamp. Edward Miller & Co. Brass front covered by a reticulated metal body with a face motif. Glass floral etched shade and glass chimney. Marble stem. The wick is missing and the mechanism to raise the wick does not work though it is present. Globe shade and chimney are in good condition but for a few minor chips to the rim. Some of the metal has been bent out of shape at careful areas and one of the petals just below the marble has broken off see images. Lamp is signed on the brass of the top of the oil well. Overall good condition. Measures 30.5'' to the top of the chimney 27.5'' to the top of the globe and 21.75'' without chimney or globe. 8.5'' wide at base. Shipping weight 7.5 lbs.
• An American Leaded Glass Lamp the Base
  An American Leaded Glass Lamp the Base attributed to Edward Miller the domed geometric shade having a floral irregular lower border raised on a foliate patinated cast metal base. Height overall 24 1/2 x diameter of shade 18 1/4 inches.
• VINTAGE EDWARD MILLER LAMP WITH BLOWN
  VINTAGE EDWARD MILLER LAMP WITH BLOWN OUT LILY PAD SHADE: Signed under the base ''EM & Co 836''. Leafy frond form base with tendrils of lily bids, The immediate base is iron, the stem bronzed. The frosted embossed glass shade is reverse painted. 12'' fitter rim on the shade, approx. 15'' dia. overall. Base is 10'' dia. Lamp is approx. 21''h. overall.
• 1890'S CRESCENT No. 10 WESTERN WHEEL
  1890'S CRESCENT No. 10 WESTERN WHEEL WORKS BICYCLE: Circa 1891-1899, ''Crescent No. 10'' model bicycle from Western Wheel Works in Chicago. Unbelievable, untouched original condition with exception to the rubber on wheels which have been replaced at some time. Wood rims, back fender, handlebars and chain guide appear to be all original as well as original paint, pedals and emblem. Sold with a Edward Miller & Co. ''The Everlit'' kerosene front lamp on articulated absorbers. Overall measurements approx. 42 1/2'' high x 71'' long.CONDITION: Note some minor paint loss, replaced rubber on rims.
• Richard Edward Miller American, 1875-1943
  Richard Edward Miller American, 1875-1943 Mimi (Woman in a Green Dress)
  Estimate:$250,000-$350,000